Personal Goals Influencing Marriage In The Return Essay Example For Students

Personal Goals Influencing Marriage In The Return Essay Of The Native Personal Goals Influencing Marriage In The Return Essay of the Native When one thinks of marriage, images of happiness, faithfulness, and unconditional love come to mind. Marriages are not for allowing two lovers to accomplish personal goals, but rather for faithful companions to live the rest of their lives together. In The Return of the Native, Thomas Hardy presents the reader with two pairs of lovers that marry to accomplish personal goals, not because of a mutual love and a desire to obtain a lifelong soul mate. Hardy reveals the true motives governing the participants in the novels marriage alliances: Eustacia, Clym, Thomasin, and Wildeve marry to carry out their individual plans for the future, rather than for love of one another. Eustacia Vye is a lazy, self-absorbed, cunning diva whose desire to marry Clym Yeobright is based on her vision of a extravagant life in Paris with her prized husband. It is the news that Clym is from Paris that generates Eustacias vision of pomp and glamour. She gets so infatuated with her vision of what Clym Yeobright is, that before she even meets him, she has a dream of the two dancing the night away. There is further evidence of Eustacias fascination with Parisian life. When Eustacia and Clym meet while trying to fetch the water bucket from the well, there is mention of the boulevards of Paris, and this piques Eustacias interest. Clym recognizes her interest in the city by saying, I remember when I had the same longing for town bustle. Five years of a great city would be a perfect cure for that. (Page 191). Eustacia responds, Heavens send me such a cure! (Page 191). Finally, when the love between Eustacia and Clym blossoms, Clym proposes to Eustacia, and Eustacias response is, I must think. At present speak of Paris to me. Is there any place like it on Earth? (Page 201). A bewildered Clym answers It is very beautiful. But will you be mine?. Eustacia then asks even more questions about Paris, such as, Now tell me of the Tuileries, and the Louvre. (Page201). Frustrated with the lack of a solid answer from Eustacia, Clym cries I hate talking of Paris!, but this does not stop Eustacias constant flow of questions about the city. This is definitely not the expected response to a proposal of marriage, and further evidences that Eustacia is more interested in a possible life in Paris than the love of Clym Yeobright. Clym Yeobright also is interested in marriage to help carryout his own personal goals in life. Before the two meet face to face, without the mummer costume, Clym is introduced to Eustacia by Sam the turf-cutter. Sam reports to Clym that Eustacia is a handsome girl (Page 183) and that Clym ought to check her out. Clyms first response to this is, Do you think she would like to teach children? (Page 183). This brief passage shows that when presented with the opportunity to marry, Clym first thinks about the possibility that she would be willing to help him in his desire to run a school. As the relationship between the two progresses, Clym talks to his mother about his intent to marry Eustacia. Naturally, Mrs. Yeobright objects. The first words of defense to come out of Clyms mouth are, She is excellently educated, and would make a good matron in a boarding schoolI can establish a good private school.. .by the assistance of a wife like her.(Page 196-197) This is evidence that Clym is thinking of the possible uses of Eustacia helping him run a school for the Heath folk. A final bit of evidence that Clym is not entering into the marriage for love is presented, Yeobright began to perceive what a strait he was in. Sometimes he wished that he had never known Eustacia.. .u5d88efe886720471d09ea3171e5de183 , .u5d88efe886720471d09ea3171e5de183 .postImageUrl , .u5d88efe886720471d09ea3171e5de183 .centered-text-area { min-height: 80px; position: relative; } .u5d88efe886720471d09ea3171e5de183 , .u5d88efe886720471d09ea3171e5de183:hover , .u5d88efe886720471d09ea3171e5de183:visited , .u5d88efe886720471d09ea3171e5de183:active { border:0!important; } .u5d88efe886720471d09ea3171e5de183 .clearfix:after { content: ""; display: table; clear: both; } .u5d88efe886720471d09ea3171e5de183 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u5d88efe886720471d09ea3171e5de183:active , .u5d88efe886720471d09ea3171e5de183:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u5d88efe886720471d09ea3171e5de183 .centered-text-area { width: 100%; position: relative ; } .u5d88efe886720471d09ea3171e5de183 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u5d88efe886720471d09ea3171e5de183 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u5d88efe886720471d09ea3171e5de183 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u5d88efe886720471d09ea3171e5de183:hover .ctaButton { background-color: #34495E!important; } .u5d88efe886720471d09ea3171e5de183 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u5d88efe886720471d09ea3171e5de183 .u5d88efe886720471d09ea3171e5de183-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u5d88efe886720471d09ea3171e5de183:after { content: ""; display: block; clear: both; } READ: Parts of a Newspaper Essay.antagonistic growths had to be kept aliveEustacias happiness. (Page 204-205) This sad passage points out that Clym regretted his hurried proposal of Eustacia and is now living with the consequences. He does not want to bear the disgrace of abandoning Eustacia and the scorn of his mother, so he decides to carry on the planed marriage and live .